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There’s a whole lot of coddling that goes on within the Toronto fashion scene. You know like, “well that was nice… for Toronto” or “she’s not trying to be the next Jean Paul Gaultier”. Maybe it’s actually not coddling, its just delusion. Or that good ole’ Canuck sense of scaredy-cat niceness? Either way, it basically makes me want to vom, and since I’d rather not send out some serious hate vibes on my blog after seeing The Social Network, (maybe I’m a little scaredy-cat myself?), thank god there were some killer shows to end the week on a high note.

Rita Liehebber also showed for the first time during the official schedule, yet maintained a total grassroots feel by opting for a presentation on the runway, rather that parading down it. The sea swept collection of drip dyed tanks, throw-on dresses and holey knit vests were shown alongside yet another of Eva Michon’s videos, which this time featured ghostly reverses of a model’s face, which faded, into one another like a psychedelic trip.

Well, who would have thunk it. Holt Renfrew’s kickoff to official Toronto Fashion Week, touted as the week’s most patriotic, began with homage not to the maple leaf, but rather to one of America’s famed style icons, 1960’s Vogue Editor, Diana Vreeland. The show, which featured eight of the country’s hottest labels: Jeremy Laing, Pink Tartan, Mikhael Kale, Denis Gagnon, Line Runway, Smythe, Wayne Clark and Wings & Horns, began with a short film depicting the editrix in all her redredred glory, smoking a ciggie while delineating the future of fashion on her typewriter. The film, directed by Bad Day Magazine Editor, Eva Michon, was largely inspired by Vreeland’s legendary column, Why Don’t You, which featured a series of brilliant (if sometimes slightly insane) witticisms like “why don’t you have a yellow satin bed entirely quilted in butterflies?”

“The original inspiration for the video came from [Holt Renfrew Creative Director] John Gerhardt who has a profound appreciation for the amazing Diana Vreeland. It was incredibly fun to create her character with Fiona Green, who assembled an amazing wardrobe, and Claudine Baltazar, who turned my mother in-law, Francine Grainger into Mrs. Vreeland with the magic of a wig,” says Eva. Pretty wild, I’d say, but as anyone who would know from working with the ingenious (and charming, and debonair, and amazing, and blah blah blah) Gerhardt, the whimsical or bizarre is a natural starting point. “Francine was very easy to direct because she is already a very glamorous and fashionable woman. Her office was very fun to recreate too, my cinematographer, Rob Tagliaferri, and I had never shot so much red in a scene before,” she says. Go Eva! That’s what I say…

Fake Toronto Fashion Week, otherwise known as the week before the officially scheduled shows, kicked this season off with a series of calculated bangs, the biggest of which being The Room at The Bay’s British bonanza, celebrating eight of England’s finest designers, Giles Deacon, Erdem Moralioglu, Charlotte Olympia Dellal, Jonathan Saunders, Mark Fast, Marios Schwab, Mary Katrantzou and Nicholas Kirkwood, last Thursday night. The night, which was surely a thrill for anyone present, was especially titillating for me, considering my downright obsession with these designers! No, really!

I was covering the event for V Magazine (read up, folks! wPauls Ccwerecommend Hu Schedule Week4 Credit Card We Recommend The Katie Girlsf j j Credit Card We Recommend Movie Credit Card We Recommend gPauls Ccwerecommend Hu Schedule Week4 Credit Card We Recommend The Katie Girlsy a a Credit Card We Recommend w w Online Credit Card We Recommend